Mural by wemok_art // Photo by Michele Yamamoto
Firebirth: Kindling the Sounds of Resilience in Los Angeles
Friday, May 8, 2026 at UCLA’s Herb Alpert School of Music
Free with RSVP
Program
Explore interactive works created in response to the impact of wildfires in Los Angeles. This gallery will feature a custom Fender Jazzmaster crafted for San Gabriel Valley Habitat for Humanity from trees that were damaged around the Eaton Fire. Open throughout the event day, we invite community to join this space of conversation and individual reflection.
Listen to a community discussion about the impact of the fires on our communities and artistic practices as well as efforts to rebuild and mitigate future fire damage.
Our culminating session will be a concert featuring the Los Angeles premiere of “Firebirth” and selected works from our community in response to the 2025 fires.
Program » About the Event » Partners » Organizers » Featured Guests
About the event
Motivated by the sociocultural and economic impacts that the Palisades and Altadena fires of January 2025 had on the greater Los Angeles (LA) area, Firebirth: Kindling the Sounds of Resilience in Los Angeles will offer a community-oriented space for UCLA students, faculty, staff, and residents of the surrounding area to critically reflect on the sounds of LA after such fires. The event will also act as a site of education and healing prompted by hearing from those who study and engage with fire ecology. This event will center around a new composition for violin and piano, Firebirth, composed by Will Rand (b. 1999). Firebirth is a part of a commission project entitled “Resilience Sounds” intended to explore the relationship between music, the natural world, and communities within it. Composer Will Rand and violinist Grace M. Alexander will offer this work as a performance and be present to discuss their experiences and perspectives on this composition. Alongside the performance will be a discussion of fire ecology, safety and community (re)building after the devastation of the LA fires framed by perspectives solicited from government employees for the City of Los Angeles and graduate students from UCLA in musicology and environmental science or ecology, including a talk by Michele Yamamoto who recently gave a paper on this at the 2025 American Musicological Society Annual Meeting. This event will also be taped live for a podcast episode for the organization, EarthStory, which seeks to raise awareness of the interconnections between living beings through ecologically-inspired storytelling, song and communal gathering. Ultimately, it is the goal of this project to incorporate interdisciplinary modes of thinking, visual and performing arts, and multiple modalities of presentation and community-based teaching in order to foster a space of action, healing, and reflection for the broader Los Angeles community.
This program offers a forum for a public discussion/engagement surrounding the recent wildfires in Los Angeles that centers creative practice at all levels. “Firebirth” itself was inspired by indigenous cultural fire practices, and through this event, also serves as a point of inspiration for living composers and artists. The piece invites the audience to consider their own relationship with fire and offers a study on how music can be a conduit between ecological understandings of fire and humankind’s lived experience with fire that threatens life. Music offers a way for people to gather to reflect on their shared experiences and process difficult moments in life. It also offers audiences a chance to reconsider how they want to relate with these difficult experiences moving forward. Ultimately, this offers a space for listening, reflection, and new sounding practices for a community deeply impacted by wildfire.
Program » About the Event » Partners » Organizers » Featured Guests
Presenting Partners
This event is made possible by our generous presenting partners, the UCLA Walter H. Rubsamen Music Library, Davise Fund; the Center for Musical Humanities at UCLA; and the Society for American Music (SAM) as part of their Sounding the Nation at 250 initiative.


Event Partners
We would also like to thank San Gabriel Valley Habitat for Humanity and Fender Guitars for graciously allowing us to showcase their custom Jazzmaster.

Program » About the Event » Partners » Organizers » Featured Guests
Event organizers
Contact the organizers: hello@firebirthla.com
Emmie Head
Event Organizer
Emmie Head (she/her) is a PhD student in UCLA’s Department of Musicology. She holds a B.A. in music from St. Olaf College and an M.A. in musicology from UCLA. Emmie’s recent academic work has focused on the ways in which intellectual property policy and developing music technologies like AI challenge and complicate conceptions of musical ownership. Emmie’s dissertation project is poised to exist at the intersection of US intellectual property policy, artificial intelligence, and music making — asking how it is that regulatory powers such as the law or corporations directly impact the musical ecosystems of the country. Emmie has presented her work at the AMS – Midwest chapter, the International Association for the Study of Popular Music, Music and the Moving Image, and the First International Conference on the Study of Music and AI in Stockholm. In addition to her work as a musicologist, Emmie teaches flute lessons on a volunteer basis to increase access to quality instrumental music education for those who are underserved in classical music communities. When not musicking, Emmie can be found baking pastries for her big Greek family or hanging with her miniature dachshunds Mr. Peabody, Dobby, and Fig Newton.
Michele Yamamoto
Event Organizer
Michele Yamamoto (she/her) is both a musicology scholar and a human-focused administrator within mission-driven organizations. Her research interests include the role of popular music in the development of self-identity, cultural identity, and other conceptual social frameworks. She is especially interested in arts justice and the way music and sounds enter and evolve within marginalized communities. Other research interests include politics, human geography, music and space/place, and sound studies. She holds an MA in musicology from California State University, Long Beach (2022) and a BA in Music History from UCLA (2009).
Will Rand
Composer, Pianist
Will Rand (he/him) is a creative visionary who is passionate about spiritual wholeness, social justice, ecological wellness, and building new communal practices of healing in our world. Will has facilitated storytelling festivals where people shared stories of their lives, concerts cultivating a multiplicity of creative disciplines, and communal gathering spaces where people come to heal and be spiritually renewed.
As the founder of EarthStory, a project that convenes community in the pursuit of ecological wholeness, Will draws together creatives, storytellers, and community members to remember their stories of belonging as a part of the biotic community. Will is a collaborative pianist, composer, and conductor and has shared music in many different communities around the United States. He is the next the Music Director of the Seattle Peace Chorus. He has served local churches as a Minister of Worship Arts in Seattle, Washington, Minneapolis, Minnesota, and Toledo, Ohio.
Will graduated Summa Cum Laude from St. Olaf College where he received his Bachelor of Music in Composition. Will’s deep passion is creating in collaboration with co-conspirators who share the intention of bringing more healing, joy, and grace into the world.
Grace Alexander
Violinist
Grace Alexander (she/her) is a professional violinist and environmental conservationist currently based in Vancouver, BC. Grace is a freelance chamber musician, private instructor, and recital artist in the greater Pacific Northwest area, and a substitute musician with regional and professional orchestras. Her musical interests are rooted in collaborative work with musicians/artists, and is a member of Duo Emersi, Kermode Quartet, and a former/founding member of Høyde Quartet. She has performed at summer festivals/institutes around North America and Europe, including Bowdoin International Music Festival, Domaine Forget, Brevard Music Center, Við Djúpið Music Festival, Boston University Tanglewood Institute, among others. Grace was a prize-winner at the Saint Paul String Quartet Competition, Friends of Chamber Music Young Musicians Competition, Frances Walton Competition, and more. As a musical leader, she co-founded and was co-artistic director of Synergy Musicians’ Collective, and is currently the Associate Director of EarthStory, among others. She is currently a Master of Music student at the University of British Columbia, and holds a Bachelor of Music degree from St. Olaf College. In addition to her artistic career, she continues the work alongside her family in rural forest health, conservation, and habitat management in Northwest Montana, U.S.A.
Program » About the Event » Partners » Organizers » Featured Guests
Featured Artists and Speakers
If you are interested in having your work featured as part of this project, please review our Call for Works.
Program » About the Event » Partners » Organizers » Featured Guests
Stay Connected
Sign up to receive event updates.
